[Download] ➵ Ja By Thomas Bernhard – Agedanna.info

Hey, everyone I finished a book I realize that this is approximately the equivalent of crying out, I got laid at a brothel, but there you have it I ve been reduced to this For the past eighteen months or so I ve been a non reader a demographic I m not generally comfortable consorting with or, at best, a half assed reader I ll read forty pages of this and set it down and then thirty pages of that and set it down My home is a ruins of literary misadventures I hate to be the philanderer who blames his serial infidelities on his humdrum spouse for reasons of her humdrumness, but none of the books I ve trysted with have given me the metaphorical blowjob that rocked my moribund world So I ve looked elsewhere for gratification Instead of reading, I found myself doing bizarre things, like watching The Call starring Halle Berry in a fright wig as a renegade 911 operator For a while, I blogged as we all must, sooner or later but there are only so many screeds you can write about petty annoyances before you start sounding like Seinfeld s standup routine But then Speaking of screeds I decided to revisit my old buddy Tommy The Parade Rainer Bernhard he of the obsessive, misanthropic tirade fame With his despondent novella Yes, Bernhard once again satisfies my narcissism by creating a literary figure I can relate to I should actually say a literary figure I can relate to to some extent so that nobody calls the people with the straitjackets The Unnamed Narrator hereafter, UN of Yes is a thoroughly miserable and fucked in the head scientist who, in my amateur diagnosis, suffers the combined effects of obsessive thinking, social isolation, and chronic negativity, mainly directed outward as a handy excuse for his own dysfunction On the verge of a total and perhaps irreparable breakdown he visits his acquaintance Moritz, the town real estate agent, in order to spill his guts and thereby to purge his accumulated craziness Anyone who in the midst of some personal trauma or drunken state has revealed too much about himself, at great length, to another person knows how humiliating such a fit of exhibitionism can be Desperation makes fools of us UN does find some relief in vomiting up all his masticated neuroses for Moritz, but there is a far greater consequence of his visit He meets the Swiss couple, or specifically the Persian Woman The Swiss couple actually a Swiss power plant mogul and his Persian companion has recently purchased an otherwise unsaleable land parcel from Moritz on which to build their new home The UN becomes fixated on the Persian woman, who says nothing at the meeting and appears sullen The meat of the novella concerns the unusual and ephemeral friendship if that s the right word between the Persian woman and UN They take walks mainly Sometimes in silence They both like Schumann and Schopenhauer They both hate the backwoods Austrian town that fate has delivered them to I think Yes is maybe Bernhard s bleakest work that I ve yet encountered The title itself that little affirmation is wonderfully ironic because in the context of the novella, it s anything but affirmative in the absolute sense As usual, Bernhard gives voice to pessimism a hopelessness so dire and maddened that it can t help but be humorous Bernhard s narrators may reject society at large they may feel persecuted or misunderstood they may even resort to morbid self pity at times But Bernhard, distinct from his narrators, appreciates the absurdity of these kinds of outlooks The human psyche repetitious, obsessed, self perpetuating reveals its grimly comic aspect when it s literalized into plain language And that s exactly what Bernhard s novels do they translate the dysfunctional mind into yes screeds that at once sympathize with the human condition and riff on its follies. Yes, Indeed He s gone and done it again Taking the most simple and stripped down of scenarios and turning it into something quite brilliant and devastating, cascading with repetitions and variations that is almost structurally written like a piece of music In monologue form, we have another despairing of sorts narrator, a scientist this time, who captures the essence of what Bernhard is all about Mental sickness is again the big theme here, as our narrator is blighted by a dark depression, that is, until a mysterious Persian woman rescues him from the depths of his hopelessness But it doesn t end well for her It really benefits reading Bernhard s shorter novels in one go, as it s not easy finding a suitable place to stop His novels, if you have read a good few of them like me, do get repetitive, but I m so glad that he never changed his spots His style is all his own, that s why I love his books, they are simply like nothing else out there. While I do not consider myself a nihilist, I nevertheless have a deeply personal response to Thomas Bernhard s novels, which leads me to believe, especially while either immersed in one of his novels or while recovering from one, that I am at heart a nihilist, at least of a stripe, and that Bernhard has the ability to reveal my hidden self to me This would be appropriate as I have long felt that one of the strongest and only indirectly addressed themes running through Bernhard s prose is the theme of possession, of obsessions that cross the line into the realm of flat out unconscious possession, and if there is anything that each of us is unconsciously possessed by it is our hidden truer, powerful selves We are possessed by ourselves and we spend a large part of our lives trying to unravel and understand the nature of this possession It is really all the adventure a person needs, and Bernhard s novels chart the ever shifting labyrinths of this adventure So perhaps the reason I have a deeply personal response to his novels is not due to his nihilism, which is really of a surface phenomenon relatively in his works, but rather to this deeper elucidation of the ins and outs of being subject to one s invisible inner self, of being possessed by a force within us that we either wrestle with forever, or submit to, where even submission doesn t necessarily lessen the struggle That Bernhard s prose is able to enter this inner realm of personal experience, of perpetual struggle and mystery wrestling with angels , where life not only feeds on itself but also where it is sourced which is why even with his nihilism reading him can be such a life affirming experience , is testament enough of his power and greatness. El narrador de este texto es un Woody Allen sin gracia o con esa gracia especial sima que emana de una narraci n atropellada, ca tica, repetitiva, neur tica, circular hasta la n usea solo le faltaba el tartamudeo, pero eso quiz s hubiera sido pasarse La an cdota del texto absolutamente brutal se circunscribe a las diez ltimas p ginas, todo lo dem s es pr cticamente un retrato del narrador a trav s de su escritura Y esta escritura, al igual que me pas con El malogrado, hipnotiza, a pesar de ser, o posiblemente por ser, exagerada, repulsiva, cansina, pero tambi n por ser conmovedora de tan sincera, primitivamente provocativa, un grito tan furibundo contra todo y todos pero sobre todo contra s mismo que enternece leerle Bernhard, como sus personajes, es de ese tipo de personas que piden a la vida lo que la vida no les puede dar y no se resignan reclaman y reclaman sin obtener, claro est , respuesta alguna un tipo herido, sufriente, que se desespera y que, al igual que el narrador de este libro, escribe S para no tener que decir S Y eso que nosotros salimos ganando Tras esta segunda lectura, Bernhard entra con much sima fuerza en mi lista de escritores ultrapreferidos, aunque soy consciente de que cada lectura solo ser un cap tulo m s a a adir a su nico libroPor in til que sea, y por temible y desesperado que sea, hay que probar siempre de nuevo cuando tenemos un tema que nos aflige siempre y siempre con la mayor obstinaci n y no nos deja en paz Aun sabiendo que nada es seguro y que nada es completo, debemos, aun en medio de la mayor inseguridad y de las mayores dudas, comenzar y perseguir lo que nos hemos propuesto, si siempre renunciamos antes de haber empezado, caemos en definitiva en la desesperaci n y en definitiva y finalmente no salimos ya de esa desesperaci n y estamos perdidos Amazing Book, Ja Author Thomas Bernhard This Is Very Good And Becomes The Main Topic To Read, The Readers Are Very Takjup And Always Take Inspiration From The Contents Of The Book Ja, Essay By Thomas Bernhard Is Now On Our Website And You Can Download It By Register What Are You Waiting For Please Read And Make A Refission For You Incondizionatamente D altra parte, come nel corso della mia vita so ormai senza ombra di dubbio, proprio i pensieri assurdi sono i pensieri pi chiari e i pi assurdi sono anche i pi importanti.Uno studioso di scienze naturali infermo sul piano psicoaffettivo e non riesce pi a dedicarsi al proprio lavoro mentale e intellettuale con l intenzione di salvarsi, va dall amico Moritz, agente immobiliare, per rovesciare vergognosamente su di lui la vita interiore e nel momento della confessione si imbatte in una coppia di clienti, un ingegnere di centrali elettriche geniale e la sua compagna persiana, che ha sacrificato la propria vita per far crescere il talento del compagno Cos , il protagonista si illumina e ritrova s stesso, si allontana dall idea di lasciare la vita, e ritrova la forza di dedicarsi ai suoi studi sugli anticorpi e alle amate musica e filosofia, con Schopenauer e Schumann Inizia a frequentare la straniera di Shiraz quotidianamente e a passeggiare tra boschi di larici conversando di estremi e vividi sogni e di innamoramenti culturali e artistici Ma la donna, abbandonata dal marito, inizia a sentirsi sempre peggio, a trascurarsi, a lasciarsi andare all idea della distruzione di s , in un vortice di crudelt lascia l albergo e va a vivere in una casa funesta disperandosi tra sonniferi e degrado La profonda solitudine intersoggettiva aggredisce il sottile guscio emotivo di ogni individuo e porta con s istinti di morte, al quale l essere nella sua debolezza cede con un fatale sintomo affermativo, un s che resa al dolore in una regione che nemica dello spirito e assassina del sentimento Bernhard scrive i suoi temi, la noia esistenziale e l impotenza vitale l isolamento e la rivelazione, l estenuante e terribile autoanalisi, la volont di fallire, la brutalit dell angoscia A dare senso alla vita la faccia interiore di un esistenza offesa, l inquietante e anarchica lotta contro di s e contro gli altri, all ultimo e ingiurioso e silenzioso sangue. enough praise has been accorded regarding the story telling talents of Thomas Bernhard There have been than enough remarks referring to his long tirades and vitriol as well as his use of the long sentenced paragraph and repetitive phrase In this novel Yes not only does the reader come to a clear understanding of story, there is also a distinct and memorable feeling for this extreme setting and its inhabitants By book s end it is obvious this novel has a quite wonderful and clever plot.The narrator of Yes remains nameless He is a depressive sort, a scientist who for almost every reason has found it impossible to work and has thus locked himself up inside his musty old home for the better part of the last three months It is only upon meeting this Persian woman, the female half of a Swiss couple planning to build a drab concrete structure on an equally dismal plot of low lying land far enough out of town in which they would certainly have to stock up on survival provisions when the wet season begins Meanwhile the Swiss couple are holed up in the only inn the village can boast of It so happens the same inn is also in need of repair and vigorous cleaning So despair, unsurprisingly it seems, is the norm in this part of the Austrian countryside The narrator, as scientist, claims his main conflict has been caused by his lung disease Previously he lived and worked in the city and seemed to have no trouble thinking and getting on with his study But his doctor insisted the narrator move to the country where he could breathe clean air and his lung disease could perhaps be held in check enough so he could live But his living without pursuing the activities so detrimental to his mind makes him question why he would want to stay alive anyway He says he struggles mentally over ending it all through suicide, but for reasons I am sure the narrator will eventually explain he could not bring himself to do it Typically, to ward off his yearly complaint of depression, which in general begins each October of every year, the narrator indulges himself with either the works of philosopher Schopenhauer or composer Schuman, or both, in order to save himself But this particular year neither genius helps him to keep his darkness at bay and he finds himself engaged in the most unreceptive and unresponsive state of not being able to bear it any longer With this terrible discovery he rushes out of his dismal prison and runs through the wood to Moritz s to pounce on him with his insanity and wounding him in the most shameless manner This regrettable scene is almost immediately interrupted by the arrival of the afore mentioned Swiss couple knocking at the door of the realtor Moritz In this scene it is almost as if the narrator no longer exists as the conversation centers around the new home the Swiss couple is planning to build on the pitiful lot Moritz has sold them There is no comprehension at all for the narrator over how this intelligent, successful, and well traveled Swiss couple who after spending four decades together could actually decide to settle into retirement to this small village on a piece of ground that Moritz has had listed for sale for as many years as the couple spent together roaming the world as the Swiss engineer built power stations It was also remarkable to the narrator how his best friend Moritz had never once mentioned the Swiss couple even after working with them over the last several months But the narrator is immediately taken by the seemingly intelligent Persian woman who remains silent and indifferent throughout the entire meeting as the Swiss does all the talking and deciding over the design and construction to take place on this water logged property Suffice to say, the narrator pursues a friendly non sexual relationship with the Persian woman who is staying at the local inn while the Swiss finishes the last power station he is constructing in Venezuela and as he also travels to Switzerland to procure for their new home the desired quality of building materials that are impossible for him to find in Austria The Persian woman is available for the narrator to visit with over a cup of tea at the inn or a pleasant walk in the forest glade It is of great relief for the narrator to have found this woman in his life and to have someone who is intelligent to talk to and who is also familiar with the work of his most loved composer and philosopher, Schuman and Schopenhauer It has been stated than once in critical reviews by others that Bernhard fails to develop his characters I find this not to be true Of all the characters in this novel brought to our attention by the halfway mark I am most impressed with the innkeeper s wife who the narrator masterfully illustrates for us her incessant need to spy and eavesdrop, spread gossip and judgments throughout her awful little town What has occurred during the past few weeks is suddenly becoming clear, and it becomes bearable because I am trying, by putting these notes on paper, to make it bearable, and these notes have no other purpose than to record in writing my encounter with the Swiss couple and particularly with the Persian woman and thereby to find relief and thereby possibly to open up once an approach to my studies.Upon my recent discovery and further involvement in the works of another great writer, Hungarian born gota Kristof, I not only learned but also came to believe in her talent as a writer She was as well an interesting, hard working person of note Kristof spent most of her life living in French speaking Switzerland and it was there she herself discovered the work of the great Austrian writer Thomas Bernhard Yes just so happened to be her very first and favorite title of all his entire body of work She mentioned in her short memoir The Illiterate how while reading Yes the first time she had never laughed so much or so hard in her life, so much so that she lent this book to several friends who upon returning it admitted their failing at reading it all the way to the end They all claimed the book was too demoralizing and unbearable All of them to a fault failed to see any of the comic side to Thomas Bernhard that gota Kristof was so taken with For me, this was my second time around with Thomas Bernhard s Yes I loved it even this visit and it passed the test of my further review and intense gaze There is nobody like Bernhard no matter how hard others try, and sometimes succeed, in crafting a suitable read that might even be possibly compared to his work at times Yes, the ending is quite unforgiving but the journey getting there is worth the ultimately lessened, or lessoned, discomfort and pain.This novel begins as a mystery, but plenty of clues are left scattered along the way and the trail remains certainly well marked throughout relieving the little fear one might have for getting lost Yes is also definitely a story about relationships How significant it is to have and maintain at least one friend in which to talk to The novel is importantly, I think, a history of one s usefulness and what can happen when you find you are no longer needed and sadly begin to feel used up. After all, there is nothing but failure. Yes, as another GR reviewer posited, is generally held to be one of Bernhard s minor works, but it is a perfectly executed short piece markedly positioning itself within the transition from the earlier TB of Correction and The Lime Works to the mature period of Old Masters and The Loser The narrative style, mental torment, personality debilitation, circular reasoning, and objective loathing subjective despair are all in place from the previous and much longer books but Yes tempers it all with a measured and , dare I say, hopeful element to balance against the bilious raging and torrential word wounding that abounds within the monologic structure of fiction from Austria s finest razor edged writer.For one thing, the inevitable life s work that the narrator has been fixedly laboring at in this case, a scientific study of antibodies in nature whilst announced right out of the starting gate together with the requisite plaint of suffering a persistent illness, though the meddling kinsman fails to make an appearance quickly takes a back seat indeed, other than the applicability between this study and the thematic progression of the novel, the unnamed narrator s prime obsession proves a secondary element of what the bi paragraphical story is a leanly brilliant, compactly sprung and, as always, harrowingly relatable working out of the terrible burdens inflicted upon an intelligent but splintered mind brought into being by an implacably hostile natural world during a period of prevailing nihilistic emptiness and immersed within the inescapable because omnipresent isolation that comprises the ultimate reality of that which we comprehend as our bounded existence.As Bernhard sees it, we must be careful about what we wish for must understand, as he does, that nothing comes up or about without a price that what excites us, what we love is but a mirror image of that which appalls us, that which we loathe that our busy and frenzied existence, ever seeking and obtaining new interests and passions and goals cannot effectively mask the understanding, innate to human existence, that all such desires represent but bright, gaudy colours painted upon an enervating and bleaching whiteness Whatever we achieve or feel will, in time, become pale, wan, etiolated, listless, be recognized for the absurdity it is, the hollowness it is built around, the nothingness it points towards, the futility it represents We must understand this and position within such knowledge the apparent solution of suicide We must perceive this siren song of release and that we can stop up our ears to it with human interaction, anchor ourselves against its pull with select individuals who ameliorate our condition and that this buttressing potentiality can be reversed, sending us hurling towards self abnegation at an unstoppable, irrecoverable speed Everything is both necessary and superfluous, inviting and repulsive, healing and dangerous, helpful and murderous Paradoxes abound There truly is no way out of this conundrum of a reality that bruises after it caresses and reveals every rainbow as leading to a copper pot of rancid shit Ceiling, floor, all four walls are spiked and slowly moving in how shall we find the means to occupy our minds enough that this fact will withdraw into the background sufficient to allow us to set out to achieve something, anything.That all sounds a bit florid, true, but as any fan of Tommy B knows well it s a lithe and limber prose that the maestro trots out, delineating it all in a controlled sluicing of words that turns on a dime to head in a differing, but related, direction Aside from the Austrian countryside and the antagonistic, antipathetic bucolic denizens who inhabit it and make it such a miserable place to domicile for intellectuals and or foreigners though, of course, the city is just as bad in its own inherent constitution the cast of Yes is but a handful the nameless narrator his real estate agent friend and existential rock Moritz and a couple comprising a power plant designing Swiss and his Persian lady friend who, as the book opens, have purchased a waterlogged parcel of land, parked between towering mountain and dim forest, on which to construct an unfriendly, concrete slab in which to pass the remainder of their years now that the Swiss final project is nearing completion The appearance of this oddly balanced pairing at the very moment when the narrator has reached the nadir of his mental illness, wallowing in a paralyzing despair, locked away from all contact with the outside world for several months, serves as an invigorating tonic for him vanquishes temporarily the miasmatic winds that have smothered his ambition and quenched his energy, and propels him into a renewed appreciation for and desire to once read his beloved Schopenhauer, listen to his cherished Schumann, and pick up where he left off with his scientific study What is it about the couple that produces such an effect It is the presence of the Persian woman, whose taciturn and idiosyncratic personality portends of a beneficial potentiality as a walking partner for future excursions, an intelligent and commiserative being upon which to unload oneself, disburden oneself of the bleak psychic accumulations of a sustained depression.Where will this ambulatory relationship proceed to What secrets will it unveil, what dark avenues of the lugubrious Austrian woodland will the pair trod whilst using each other as sounding boards Read it and see The Persian woman presents a nice addition to the Bernhardian fictional method, as does the placid Moritz and his brief but pertinent placement in relation to the narrator The latter himself is one of the compelling of the author s textual conscious creations, providing a typically bleak assessment of life s many sided failures, fatuousness and futility while yet managing to overcome the inevitability of following such morbid thoughts to their logical conclusion Indeed, this faceless voice demonstrates a wisdom to limn his despair, a nuance to his condemnations that adds an extra poignancy to the flow Schopenhauer s Will to Existence and concept of an aesthetically attuned Genius are the first class passengers here within its textual vessel, struggling to prevail against the rising tide of lung filling pessimistic despair and its attendant brush strokes that coat all a Cimmerian slate.I always find Bernhard hitting me right where it hurts, digging at that scab and describing the wound in nauseatingly accurate detail He doesn t get everything right, of course, but there s much that rings all too true Is it the fact that it is carried to such extremes that makes it easier to bear The humor within the bile that allows it to readily sink in That the puzzle s pieces are variegated sufficiently that makes the final assembled image so captivating to behold I think yes. Holy Jesus Fuck, Yes is excellent Now, I m not sure if you ll like it because you ve got to get accustomed to Bernhard s style He ll extend a sentence, via dependent clause, for pages on end No chapter breaks, either Hell, no paragraph breaks But once you get in a groove with Mr Bernhard, whoa, he s through the roof good Yes is told entirely from the perspective of a mostly socially isolated scientist who encounters a Persian woman while unloading his psychological ills on to a friend The woman and the narrator walk through the woods and talk Uh, not much happens than that, but please don t lump this book into a pile of experimental horseshit or whatever The narrator tells the story, along with internal, insightful and often self critical monologue, in a 135 page sitting Yes is about solitude, creating meaning, and remaining honest with yourself, even if that honesty is fucking depressing It s not a cheery book it s an honest book The depressed and neurotic will recognize themselves in Yes Sometimes I feel like novels of this nature are categorized as depressing and European which, I suppose, they are, but they re so much than that I picture the narrator in a therapist s office this novel elucidates the painful and difficult to articulate in order to acknowledge its presence because, if you don t, you re fooling yourself So I guess, and I don t mean to sound all special or anything, that I found Yes refreshing than depressing I don t believe the novel s meant to inspire or deject the reader as much as to pull a sheet off the window and expose the room to the light I reject the term nihilism with Bernhard Yes is like an exploration of difficult, stimulating truth I get the feeling Yes is not one of the author s major works, but I could be wrong Just before the new year I stumbled upon the novel in a used book store Before that I d never heard of it This is my third Bernhard, I think, and so far my favorite, although I suppose that reaction might connect to this afternoon s finishing of the book I loved it, though, except, maybe, for a page or two at the very end I imagine you ve already decided whether or not you re the Bernhard type if you are, put Yes on priority. Soltanto un burlone come Bernhard poteva intitolare Sun opera cos radicalmente pervasa da nichilismo.Questo uno dei libri di Bernhard l altro Cemento cui apporrei una fascetta con stampato a lettere ben visibili Tenere lontano dalla portata di chi ha familiarit con l ala oscura della depressione Noi cerchiamo senza sosta di scoprire dei retroscena e non facciamo un solo passo avanti, soltanto complichiamo e ingarbugliamo ancor pi ci che gi complicato e ingarbugliato Cerchiamo un colpevole del nostro destino, che quasi sempre, se siamo onesti, possiamo definire unicamente come sventura Ci rompiamo la testa su cosa avremmo potuto fare diversamente o meglio e su cosa possibilmente non avremmo dovuto fare, perch ci siamo condannati, ma non porta a niente La catastrofe era inevitabile, diciamo poi, e ci concediamo un periodo, anche se breve, di quiete Poi ricominciamo da capo a porci domande e ci rodiamo e rodiamo fino a che siamo diventati di nuovo mezzi pazzi Ja


About the Author: Thomas Bernhard

Thomas Bernhard was an Austrian author, who ranks among the most distinguished German speaking writers of the second half of the 20th century.Although internationally he s most acclaimed because of his novels, he was also a prolific playwright His characters were oftenly working in a lifetime and never ending major work while they deal with themes such as suicide, madness and obsession and, as Be


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